Movie
Review: No manches Frida
Director:
Nacho G. Valilla
Screenplay:
Laurence Rosenthal, Claudio Herrera, Sergio Adrian Sanchez
Stars:
Omar Chapparo, Martha Higareda, Monica Dionne
Country:
Mexico
Language:
Spanish with English subtitles
I love
Netflix and Hulu. Whenever I watch a movie on my huge, flat-screen,
HD TV, I recreate the art house, cinema experience by drawing the
drapes and turning off the lights. Bergman (ingmar, not Ingrid)
observed that sitting in a darkened movie theater, watching the
flickering images on the screen while suspending disbelief for a
couple of hours is the closest conscious experience to the sleeping
dream-state.
So, the
other day, I got out of my recliner, temporarily terminated my binge
watching of La reina del sur on
Netflix, and headed for the Santikos Mayan Palace cineplex to see No
manches Frida.
Initially,
I was the only person attending the Tuesday, 2:10 PM matinee. But
just before the movie started, two Chicana ladies sat a few rows
behind me and began chirping away in Spanish. My first thought was,
“Oh no, my conscious dream-state movie experience is going to have
non-stop play-by-play commentary in Spanish.”
Flashback...
Years
ago, I went to a matinee screening of Like Water for Chocolate.
Seated behind me were two Latina ladies chatting in Spanish. One of
them had obviously already seen the film and was prompting the other
lady on what to expect as a scene unfolded. Just before one
particularly “revealing” scene, she whispered, “Este es la
parte en que ella salta de la ducha desnuda y se sube en su caballo y
aleja como una loca.”
Fortunately,
as the opening credits rolled and No manches Frida began, the
pitter-patter subsided and the two chirping Chicanas and I sat
quietly, respectfully, our cell phones turned off and enjoyed the
show.
No
manches Frida is a very
well-crafted, well-acted comedy that artfully combines the classic
fish-out-of-water and unconventional, inspirational teacher v. unruly
classroom motifs. We've seen variations of this popular theme in
films like Goodbye, Mr. Chips, To Sir, with Love and
Stand and Deliver. Not
to mention popular TV shows like Welcome Back, Kotter
and Room 222.
The
basic plot: A thief recently released from prison named Sequi, (Omar
Chapparo) tries to recover stolen money his ditzy girlfriend buried
for him. Problem is, she buried the loot on the campus of a school
named after the famous Mexican artist, Frida Kahlo. During his
imprisonment, a gymnasium was built over the burial site.
Sequi
scams a job as a substitute teacher in order to access the gymnasium
and dig up his ill-gotten pesos. However, as the story progresses,
Sequi finds himself crossing the threshold over from greedy thief to
caring teacher.
Under
the capable direction of Nacho G. Valilla, No manches Frida
reminds me of classic Hollywood screwball comedies with its
rapid-fire dialog, repartee, and sexual double entendres. The
screenwriters also make good use of that most uniquely, versatile and
eloquent Mexican word: CHINGAR.
Noted
Mexican linguist, Pilar Montes de Oca, catalogs in her scholarly,
must-read book El Chinganario,
over 180 colorful and commonly spoken phrases spiced with every
conceivable variation of “chingar.” I know for a fact there are
at least 180 because I grew up hearing my abuela Juanita employ them
on a daily basis. The characters in No
manches Frida use them
to great comedic effect. The two chirping Chicanas and I laughed
hysterically whenever they were uttered. The bespectacled, bookish,
school marm, Lucy, (Martha Higareda) rattles off a couple of good
ones with girlish glee.
All three principle actors give
first rate performances.
- Omar Chapparo is engaging as Sequi, the street-wise ladron who cons his way into the school then finds himself emotionally and romantically drawn into the world of a substitute teacher.
- Martha Higareda is a charming and vulnerable presence as Lucy, the earnest, do-gooder teacher who is instantly attracted to bad boy Sequi and his off-beat teaching methods.
- Monica Dionne does a nice turn as Miss Gaby, the tough as nails school administrator with a heart of gold.
Director
Valilla's No manches
Frida is a fast-paced,
raucous, often raunchy comedy filled with laughs, slapstick humor,
great music and highly likable characters. At its heart though, No
manches Frida is a
story of transformation and redemption. In his quest to recover
buried treasure, Sequi discovers inner personal “treasures” that
money...stolen or otherwise...can't buy.
No
manches Frida is a
thoroughly fun-filled narrative ride. I can report unequivocally that
the two chirping Chicanas and I give
No manches Frida:
¡DOS
PULGARES ARRIBA!